Thursday, October 15, 2015

Ian Whitehead-Scanlon

Hamish Fulton’s book “The Way To The Mountain” has a very distinct style.   The way he composes each image builds to give the sense of wandering.  As he walks though Portugal, we get to see striking images that give a feeling of longing.  The subject of the images is as much about him as it is about the landscape. 

            Throughout the book we see the almost every image is dissected in half with the horizon line.  This makes the image very flat.  Also he uses the roads to lead your eyes into the image.  The roads fill the bottom of the frame making you look at the road as if you where walking on it, placing you in the scene in every image.  Next he photographs as if he just saw it and took the frame instantly.  He doesn’t take the time to wait for the golden hour; he presents the landscape as it was at that moment, not how it is at the time the light would be best.

            All these things are designed to help bolster the subject in the image, or lack there of.  Each image is created to showcase this walk through Portugal, the ultimate subject being Portugal.  How ever the feeling I get from the way the book is composed is that the subject is his walk, and how lonely the journey is. 

            These combined factors make his images unique to him and how his compositions make you feel as you look at the image create a forceful and unique style.  That fact that he used his walk across Portugal to create these images, and the feeling of a lonely journey really unifies his work.       


            The “Waters Edge” by Callahan is photographed very differently than “The Way To The Mountain.” This book has a completely unique composition.  These images are more of the minimalist style, and their beauty is in their simplicity.  The images of the dunes accentuate their curves and the textures of the sand. Thus, making an other wise simple image very sophisticated.  When people are in the images they are the subjects unlike when they are not.  He very carefully frames the people against pure sand or a foggy solid background in most of his images containing people. 

            The subject in his images is the beach and the people occupying the space.  The people who are on the beach as well as the sand fascinate him as well as the landscape the sand creates.  His images are unique because of the unification of how the people are framed in the images. The great care he takes in bringing out the texture of the sand and curves of the landscapes are factors that make Callahan’s work his own.



            “Light Warriors” by Joyce Tenneson was the only book I chose where the images where produced in a studio.  Her images are focused around the women in the frame.  She uses a black background with a yellowish-brown tint to the subject.  The way the women are accentuated in the images, the light and the clothing, are used to make the women look strong and powerful in the frame.   There is an air of intimidation about the women through their lack of clothing.  Also all of the women have stoic faces, making them look like warriors.  In addition the women are coated in a white powder to cover up any imperfections the subjects might have.  The subject matter in this book is the women in each frame and their beauty and power.  Finally what makes her work unique is how she portrays the women within the book. Along with the way the she lights these women, all these factors add to the unification of her collection of images.

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